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Diving Into the World of Design Thinking

“Now I want you all to introduce yourselves, but this time you will do it differently.” – this is how our Design Thinking course started and little did we know what will follow afterwards. To present ourselves we were divided into groups, where each of us had to first, speak about her/himself, second, count one minute, third, draw the speaker and fourth, listen. What a mindshake on a Friday morning! 

In this blog we will tell you what else we did during our workshop. But first, let’s focus on the definition and purpose of Design Thinking.

Our Portraits Created by Our Teammates in Miro

What is Design Thinking?

Historically design has not been a key step in the developing process. Designers came along at the very end of the process to make the product look aesthetically desirable or have a nice package. Due to the shift from industrial manufacturing to knowledge work and service delivery, the objectives of innovation are no longer physical products, but they can be services, processes or applications.  (Brown 2008)

Design Thinking today is understood as an effective method with a toolkit for innovation processes in multidisciplinary teams in any kind of organization (Tschimmel 2021). User-centric perspective and empathy for gaining a deeper understanding of the user’s needs is essential in the design thinking process (Kouprie & Sleeswijk 2009). 

Motee (2013) emphasizes the role of business leaders in creating a design thinking culture within a company. In his opinion, future business leaders should practice disciplined imagination to formulate problems and generate alternative outcomes, look beyond the limits and enable collaboration in the company.

Mindshake E6² Model in Practice

Professor Katja Tschimmel introduced us to the Mindshake Evolution 6² model, which we will describe below and explain how we used it in the workshop.

To begin with, we were given a topic of “Inclusion at work”. We started by identifying challenges and opportunities of the issue. At this stage, we created an Opportunity map and formulated an Intent statement (Emergence). 

We planned and conducted short Interviews in order to gain Empathy with the target group and filled the results into the Insight map.  

In the Experimentation stage, we used Brainwriting for ideation and learned to come up with as many ideas as possible since the first ideas are always the obvious ones. 

The purpose of the Elaboration is to figure out how to transform an idea into a tangible concept. We utilized Rapid Prototyping to visualize our concept. 

Collaborating in Miro / SID Design Thinking Master Class Autumn 2021. 

In the Exposition stage, we created a Storyboard of our concept for presenting the key results of our innovation process and the benefits of the new vision.

At the Extension stage, we collected feedback from our classmates to potentially develop our idea-solution. Normally, at this stage, the team has to think how to implement the solution in practice. Because of the time and resources frames we couldn’t fully experience the Extension stage, however, we went through the whole cycle of the Innovation process and understood the main principles. 

The Key Points Learned of the DT Process

  • Human-Centeredness and Empathy  – We need to step into the user’s shoes.
  • Co-creation and Collaboration – Include as many stakeholders as possible throughout the process.
  • Creativity – Every idea is welcome.
  • Creativity can be developed through practice.
  • Visualizations help to communicate ideas with others.
  • Experimentation – Playful thinking and making mistakes are an important part of every creative process.

Written by Sari Eskelinen & Lada Stukolkina SID MBA Students at Laurea University of Applied Sciences

Literature:
Brown, Tim (2008) Design Thinking. Harvard Business Review, June, 84-95. 

Courtney, Jonathan (2020). What Is Design Thinking? An Overview. YouTube Video.

Kouprie, M & Sleeswijk Visser, F. (2009) A framework for empathy in design: stepping into and out of the user’s life (Links to an external site.) in Journal of Engineering Design Vol. 20, No. 5, October 2009, 437–448 

Mootee, Idris (2013) Design Thinking for Strategic Innovation: What They Can’t Teach You at Business or Design School. Wiley. 

Tschimmel, Katja (2021): Creativity, Design and Design Thinking – A Human-Centred ménage à trois for Innovation. In Perspectives on Design II. Ed. Springer “Serie in Design and Innovation”. DOI: 10.1007/978-3-030-79879-6.

Tschimmel, Katja (2021). Design Thinking course lectures, September 3–4 2021. Laurea University of Applied Sciences.

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Design Thinking at first touch

DT is becoming extensively popular in modern era as more and more organizations are striving to provide compelling and innovative solutions to their customers. Design thinking helps to expand one’s creativity as well as enables one to utilize a broader range of tools and approaches for innovative solutions.

What is it exactly?

Design thinking has no single, unifying, common definition and if you ask a bunch of people to describe it, their answers will vary. Creative professional Idris Mootee (2013,29) states that: “If we take into consideration the concept’s predilection for dealing with ambiguity, perhaps there should not be only one definition.” In Mootee’s own practice, design thinking is a framework for a human-centered approach to strategic innovation, and a new management paradigm for value creation in a world of disruptive technology and radically changing networks. According to an experienced designer Jon Kolko (2015), that is exactly what Design thinking as an approach is for the most part, a response to our rapidly evolving and ever changing modern technology and business.

But we need to try and keep up somehow, right?

Keeping up with design thinking

People need help making sense of all the modern advances. To be exact people need their interactions with complex systems such as technology to be amiable, simple and intuitive and it seems that design thinking might be the best tool we got to achieving this goal. (Kolko, 2015.) Design thinking as a framework includes a lot of different tools and/or processes but according to Mootee (2013, 32), it is the framework itself where the magical balance resides.

This might be true hence design thinking is all about cognitive flexibility and how we are able to adapt the process to the challenges. The process of design thinking entails trying to think outside of the box and searching for solutions through trial and error. This method of trial and error, and the fact that design thinking is an approach to collective problem solving aimed to take on design challenges by applying empathy, makes it actually a very humane process.    

Storyboard- The result of a two-day design sprint

All in all the tolerance for failure, the empathy with users, and a discipline of prototyping, is the best tool we have for creating responsive flexible organizational culture and those amiable interactions (Kolko, 2015). 

 Our first masterclass was a mindshaker

Our first Design Thinking masterclass however showed us also, in addition to the framework, the value of tools and co-creation. We had a two-day workshop that focused on understanding the fundamentals of design thinking in the beginning of our Service Innovation and design studies. The two days were interactive and very inspiring. During these two days we learnt about Katja Tschimmel’s Innovation & Design Thinking Mindshake model.

Katja Tschimmel’s Mindshake model

Learning by doing

This design Thinking masterclass was not just another rough and boring two-day lecture. Instead, we did various fun activities to understand the concepts of design thinking. These activities included teambuilding exercises and a symbolic representation of ourselves and our teamwork.

We discussed each step of the Mindshake model and applied these steps to solve suggested problems. From all the tools, we found the insight map the most fascinating to learn. One interesting aspect in our sessions was the way we used Miro board to imitate a real-life classroom situation. The digital whiteboard enabled us to work together side by side in a way similar with actual interaction.

Team building time- DT masterclass

Learning by studying

This interactive session motivated us to learn more about design thinking, so we read Tim Brown’s (2009) seminal paper on the same topic. The seminal paper depicts various approaches of the firm IDEO. These approaches have made the firm one of the leading organizations in the field of design consultations. Tim Brown for example advocates that empathy is a fundamental tool to understand the perspective of the end user and the problems they are dealing with. This research paper further enhanced our understanding about the concept of Design thinking.

Afterthoughts

Overall, our first touch with the world of design thinking has been a tremendous experience, not only because of the interactive session where we got a chance to work together with new people, practice design thinking concepts, share ideas and learn various new things by practicing and developing, but also because of the learning that happened afterwards through recommended literature. We especially enjoyed Katja’s Mindshake model. We feel now highly motivated to implement the concept of design thinking in our professional lives and hope to expand known boundaries in the future.

Written by Henna Helminen & Nida Iram

SID MBA Students at Laurea University of Applied Sciences

References:

Brown, Tim 2009. Change by design: how design thinking can transform organizations and inspire innovation. New York: HarperCollins Publishers.

Kolko, J. (2015) Design thinking comes of age. The approach, once used primarily in product design, is now infusing corporate culture.  Harvard Business Review September 2015, 66-71.

Mootee, Idris (2013) Design Thinking for Strategic Innovation: What They Can’t Teach You at Business or Design School. Wiley.

Tschimmel, Katja (2020 forthcoming). Creativity, Design and Design Thinking – a human-centred ménage à trois 

Tschimmel, Katja (2020). Design Thinking course lectures, September 3–4 2021. Laurea University of Applied Sciences. Espoo, Finland.   

Designing your own way with design thinking

Making career choices when you’re 18 years old can be cumbersome. The childhood dream jobs, being a doctor or a policeman, probably have changed multiple times leaving you uncertain about what the future will look like. So, what does it take to find your dream job?

As we started out journey in the SID program and got to know one another better, we found out that both of us had had the same career idea; working with design. At that time, applying for any program majoring in design required skills in drawing, which we didn’t have on the required level. In the end, it felt like one career opportunity had closed its doors although the interest towards the field didn’t pass.

The world is changing rapidly around us, which requires flexibility and innovation from both employees and companies. As the operational environment of businesses change constantly, also duties in work places change. Joining work life made it even more obvious. One big change we have seen within design and its position in the organizational culture. According to Kolko (2015), the importance of applying the principles of design to the way people work was largely due to the increasing complexity of modern technology and modern business. Thus, many companies have put design thinking at the core of the company, making designers an increasingly competitive asset in creating new forms of value (Brown, 2008). Putting design thinking into practice helps companies understand the constant disruption better as well as maintain and develop competitiveness (Motee, 2013).

Making a cultural shift

Making a cultural change towards design thinking comes of age. And, so does for many of us. Adopting this perspective isn’t always easy but having natural aptitude towards design helps. Usually, it flourishes after right development and experience (Brown, 2008). Probably, many of us in SID program can relate to this. Having natural aptitude towards design doesn’t yet guide you to your desired career path in working with design. A design thinker’s profile develops through time with the right experiences but owning the capability is as important. So, what are the traits of a design thinker? It takes empathy, integrative thinking, optimism, experimentalism and collaboration (Brown, 2008). Many of these characteristics take time to develop.

Nowadays companies tend to share similar problems and transitions as the world becomes smaller through internalization. Also, different fields of businesses become even more connected with each other. According to Motee (2013), design thinking assists in understanding complex connections between people, places, objects and ideas, which is also highly effective tool for innovation. We also noticed this during our first days at SID program as we all have different backgrounds, but we share the same passion for design. During the group work tasks, our distinct knowledge became our strength since we were able to combine several perspectives and ideas by means of design thinking.

In the past, being employed at the same company, in the same position wasn’t abnormal. Today, there is no permanent career solution to choose from. As with design thinking, finding your dream job comes through experimenting, from trial and error. Without exploring choices and being open to even unorthodox possibilities, new career directions won’t emerge.

Written by Emmi Kytösalmi and Jenna Isokuortti

REFERENCES

Brown, Tim (2008) Design Thinking. Harvard Business Review, June, 84-95.

Kolko, David J. (2015) Design thinking comes of age. The approach, once used primarily in product design, is now infusing corporate culture. Harvard Business Review September 2015, 66-71.

Mootee, Idris (2013) Design Thinking for Strategic Innovation: What They Can’t Teach You at Business or Design School. Wiley.

Becoming a Design Thinker and Doer

Design Thinking in action

Our journey to the realm of Design Thinking started in extraordinary conditions, because our lecturer Katja Tschimmel wasn’t able to attend the course physically – nor some of the students – because of COVID-19. In spite of this, we got an inspiring and participative start for our studies.

When quantity is more important than quality: the process of identification of opportunities.

The best thing was the “learning by doing” mentality. It was easy to get a grip about the Design Thinking principles and Service Design process through the small exercises and the group task which tackled each service design processes’ phase one by one. The most difficult thing was the shortage of time. As Tim Brown states in his book Change by Design (2009, 84), time is the most insistent limit for design thinkers, even more insistent than limits of technology, skills and knowledge.

The process of Ideation.

During the lecture we got to see that there are many ways of describing the Service Design process. Brown (2009) presents the process through three main “spaces” of Design Thinking: 1) inspiration , 2) ideation and 3) implementation. In our group work we used the Mindshake Design Thinking Model, which has six different steps. Through using the model, the process with its different phases came really concrete. 


Mindshake Design Thinking Model, Pinterest

While doing our group work we also noticed that it can be difficult not to offer ready-made solutions before defining the problem to solve. A valuable tip here is that don’t ask what, ask why! It’s also good to remember that the design process can make unexpected discoveries along the way. Though the insecurity about the outcome may feel difficult, it’s better to “fail early to succeed sooner” (Brown 2009.)

Don’t just do design, live design

We’ve now learned that Service Design is all about thinking like a designer – it’s a mindset you have to switch on. Anyhow, it’s easier said than done. The mindset of an individual doesn’t change all of a sudden. Also the organizational shift is never easy and culture changes slowly. In many companies we can weekly observe a board of managers debating about internal processes and making decisions of company’s strategies behind closed doors. Concerning the change, the expectations must be set appropriately and aligned around a realistic timeline (Kolko 2015).

It is important to internalize that Design Thinking is a collective and participatory process. The more parties and stakeholders are involved in the development process, the greater range of ideas, options and different perspectives will occur. Also, to harvest the power of Design Thinking, individuals, teams and whole organizations have to cultivate optimism. People have to believe that it is within their power to create new ideas, that will serve unmet needs, and that will have a positive impact. (Brown 2009.) 

There are many cases to show how Design Thinking can be used for social change and the common good. For example, the Indias Aravind “Eye care system” has built a systemic solution with Design Thinking to a complex social and medical problem (Brown 2008, 90-91).  Also Warren Berger explains how design can change the world through solving problems on a case-by-case basis around the world.

The advantages of Design Thinking seem obvious. It offers an powerful, effective and accessible approach to innovation which can be integrated into all aspects of business and society and that all individuals and teams can use it to generate breakthrough ideas. So: get into the world to be inspired by people, use prototyping to learn with your hands, create stories to share ideas, join forces with people from other disciplines. Don’t just do design, live design! (Brown 2009.)

Thought and conclusions by Maiju Haltia-Nurmi and Elena Mitrofanova, first-year SID students at Laurea UAS

References: 

Brown, Tim (2008) Design Thinking. Harvard Business Review, June, 84-95. http://www.ideo.com/images/uploads/thoughts/IDEO_HBR_Design_Thinking.pdf 

Brown, Tim 2009. Change by design: how design thinking can transform organizations and inspire innovation. New York: HarperCollins Publishers.

Kolko, Jon (2015). Design thinking comes of age (https://hbr.org/2015/09/design-thinking-comes-of-age). Harvard Business Review September 2015, 66-71. 

Tschimmel, Katja (2020). Design Thinking course lectures, September 4–5 2020. Laurea University of Applied Sciences. Espoo, Finland. 

Warren, Berger (2009). Can design change the world? (http://edition.cnn.com/2009/TECH/11/06/berger.qanda/index.html)

Can we save the world by unblocking our creativity?

When was the last time you tried something new and failed? Did you feel proud of yourself then? You probably should have, because chances are that your failure was a sign of you pushing your creativity to the limit. And it takes a lot of guts to do so.

As IDEO founders David and Thomas Kelley point out in their book Creative confidence creativity means that you can imagine the way the world should be, believe in your capacity to make positive changes and be brave enough to take action (2013, p. 64). Creative thinkers discover new opportunities, think in variety of possibilities and take multiple perspectives into account. They experiment and operate against well known solutions and stereotypes. The plot twist? We all have what it takes to be a creative thinker (Kelley & Kelley 2013, p.4-6).

Creativity, like any other skill, can be trained (Kelley & Kelley 2013, p. 5-6; 30). The training program for your mind muscles are processes that these days goes by the name design thinking (see for example Tschimmel, Santos, Loyens, Jacinto, Monteiro & Valença 2015, p. 69). These processes help to build empathic understanding, to find new perspectives and make sense of the world around us. Design thinking processes are human-centred, multidisciplinary, collaborative, optimistic and experimental (Tschimmel et al. 2015, p. 6; 72). Design thinking is also design doing: it always aims to produce something concrete and new to the world.

Stirring the status quo

Unfortunately many of us adults are too afraid of failure and the lost of appreciation of our peers to fully tap into our creative potential (Kelley & Kelley 2013, p. 6; 44; 53-55). We often see creativity as something that “the artistic” or “the innovative” types have. Because of these beliefs good ideas are left unshared and the unique solutions go undiscovered (Kelley & Kelley 2013, p. 62). 

In the future working life transversal skills such as creativity, collaboration skills and ability to take initiative are on high demand (Tschimmel, Santos, Loyens, Jacinto, Monteiro & Valença 2015, p. 6). But using design thinking to unleash the full power of our creative capacity is not only a matter of skilled workforce. As the over 7 million people marching in the global Climate Strikes in September 2019 reminded us: there are no jobs on a dead planet.

climate-strike

The young climate activists are expressing their creative confidence in several ways when attending Climate March in Helsinki in September 2019.

The biggest challenges of our times are summarized in UN Agenda 2030 goals that are interlaced and overlap each other. Like in design thinking the needs of people are in the center of these goals: for example the need for a livable environment is fundamental. As many of these challenges are described as wicked problems, it is becoming increasingly clear that we can’t tackle the problems created by the current ways of living by continuing “business as usual” (see also Tschimmel, Santos, Loyens, Jacinto, Monteiro & Valença 2015, p. 72). As the problems we are facing as humankind are getting more all-encompassing and complex, the need for human superpowers like empathy and creativity is ever increasing.

So where do I start?

Not all of us are educational leaders or politicians who have the power to disrupt systems teaching us how to think and behave. Luckily, as we have established, everyone can make a difference. Here are some of the tips from the experts that we can try in our everyday life to unblock the creative superpowers within us and the others around us:

  • Try until you fail and push others to try too. Learning cycles including failure are an essential part of unblocking creativity. You can think that if you haven’t failed yet, you weren’t reaching far enough. Try to create opportunities for those around you to fail as well in a supportive environment. Start by failing small and aim for massive failures as your creative confidence increases.
    (Kelley & Kelley 2013, p. 50-53; Tschimmel, Santos, Loyens, Jacinto, Monteiro & Valença 2015, p. 7; 72.)

  • Label your next great idea as an experiment and let everyone know that you’re just testing it out. Make sure that the people around you know that you only have reasonable hope for success and the whole point is what you can learn from the failure if and hopefully when it happens. (Kelley & Kelley 2013, p. 47; 50.)

  • Pay attention and intervene when someone around is feeling insecure or undervalued. Keep in mind that insecurity isn’t always a sign for lack of skills or experience. Perfectionism can be crippling if we think that being and expert means excelling without a flaw. Fight these feelings of insecurity by always giving credit when credit is due. Remember to give credit from trying and failing as well, not only succeeding. (Kelley & Kelley 2013, p. 57; 61-63.)

  • Start keeping an idea journal. It doesn’t matter whether you write, draw or dictate your ideas. Create a way to have a way to store you ideas right away no matter where you are, because even the greatest ideas might be fleeting.
    (Kelley & Kelley 2013, p. 216-218.)

  • Remember that creative processes are collaborative processes. Share your ideas, ask for help and take care of your social support system. (Kelley & Kelley 2013, p. 58; Tschimmel et al. 2015, p. 72.)

Enjoy creating, embrace failing!

 

The writer is a career counsellor venturing in the world of design thinking. She failed yesterday with a new veggie stew recipe, but is determined to try again (much to her family’s horror).

Sara Peltola
@Sara_Peltola

 

REFERENCES:

Kelley, D. & Kelley, T. 2013. Creative Confidence: Unleashing the Creative Potential within Us All. New York: Currency.

Tschimmel, K., Santos, J., Loyens, D., Jacinto, A., Monteiro, R. & Valença M. 2015. Research Report D-Think. Design Thinking Applied to Education and Training. ERASMUS+ KA2 Strategic Partnerships. Available online: http://www.d-think.eu/uploads/1/6/2/1/16214540/researchreport_d-think-dv.pdf [Accessed September 30th 2019].

Tschimmel, K. 2019. Design Thinking [lecture]. Held on 6-7 September. Laurea University of Applied Sciences.

The Four Joys of Taking Part in a Book Club

Organizer: Service Design Network Finland
Time and Place: 11.9.2019, Haaga-Helia University of Applied Sciences, Pasila Campus
Book: Palvelumuotoilun Bisneskirja, 2019, by Mikko Koivisto, Johanna Säynäjäkangas and Sofia Forsberg (only available in Finnish)

1. Join a Book Club and Actually Finish Reading a Book on Your Reading List

Case in point: Ever since I heard about the much buzzed about Palvelumuotoilun bisneskirja (The Service Design Business Book), I was eager to get my hands on it. Needless to say, I never got around it. It wasn’t until I saw the advertisement for the Service Design Network’s Book Club featuring the book, that I decided to finally read it. There is nothing like a set deadline to boost your motivation.

2. Discuss with Interesting Participants in a Relaxed Setting

It was great to exchange views about the book with other service design enthusiasts. The consensus was that the book outlines well why a business should invest in service design. Several recent business cases were featured in the book to help comprehend how service design is implemented in practice. The book also described the different stages that a company goes through when transforming to a service design-led organization. One of the participants said it well: “It is easier for a company that is born now to be inherently customer driven than for a company that has a long history to transform its well-established processes and ways to be more customer centric.” The book was also really reader friendly, thanks to the clear illustrations and jargon free writing. It is now on my recommendations list for anyone who wants to learn about service design especially from a business perspective.

3. Gain Fascinating Insights from One of the Authors

One of the book’s authors, Mikko Koivisto (pictured in the middle), took part in the book club. Koivisto shared that the cover and the title of the book were decided even before any content was written. This was because the publisher wanted to start promoting the book straight away. And even though there has been interest for an English version of the book, Koivisto said that it will have to wait for now. All the authors are quite busy at the moment and translating the book into English would require also updating the content to better serve an international audience.

4. Host the Next Book Club

Naturally the next step is to host the next book club. Yep, I got asked to host the next one and I gladly accepted the challenge. So, get your calendars out and mark yourself busy for the 2nd of December from 5pm to 7pm. The next book club will take place in the Helsinki Central Library Oodi. Details of the book will follow. Stay tuned and I will see you there!

Written by Lyydia Pertovaara

Links:

https://www.palvelumuotoilunbisneskirja.fi/

https://www.service-design-network.org/chapters/finland

(Service) Designers, what for?

by Kaisa Hölttä

On the very first day of the Design Thinking course by Professor Katja Tschimmel, two existential questions rose in my mind: What is the role of a (service) designer in the innovation process? In the world where customers´role is more and more emphasizes, can customers even take a full responsibility of design processes themselves?

designer_free photo_pexel

Designer? Photo: Pexels.com

In Change by Design, Tim Brown refers to his colleague Jane Fulton Suri who explores if the next step in design evolution is moving from designing for people to with people, to designing by customers themselves (Brown 2009, 58). This approach suggests that even a customer can be a designer. So can we move from earlier producer-generated ideology all the way to the user-generated one? What makes us future designers then?

City of Helsinki has recently introduced a participatory budgeting, where 4,4 million euros will be allocated annually to city development proposals made by the residents. The Participatory model utilizes know-how and expertise of individuals and communities and gives people an opportunity to design urban initiatives themselves. One could think that there is a torrent of proposals on line. However, just few weeks ago, a friend who works in engaging local communities to urban development, wondered, why only a small number of people seem to be interested in the participatory budgeting.

I would claim that there is lot of latent potential out there but people find it hard to conceptualize their thoughts and ideas, and turn them into concrete suggestions – or even imagine beyond the usual. As Brown puts it, analytical and convergent thinking are so dominant in education it makes us think that creativity is something that belongs only to a few talented ones (Brown 2009, 222-223).

This is where the role of designers step in. We need Design Thinking methods to articulate people´s latent needs and to convert them into concrete suggestions and protypes, in co-creation with the people. Creativity needs practice, and support. Designer´s role is to encourage people to give up their mental constrains and help them to “braindump” their thoughts. Quantity over quality. Without new approach and Design Thinking tools, it is hard to gain “rule-breaking, game-changing, paradigm-shifting breakthroughs”, Brown stresses (2009, 40).

20180907_133840

Practicing Design Thinking tools. Photo: Kaisa Hölttä

Therefore, new initiatives should not be designed only by customers themselves but together with them. According to Tschimmel, in the participatory approach product users should been seen as experts and partners in the whole creative process, from data research on to prototyping the new ideas and design solutions (Tschimmel 2012, 4).

In case of the participatory budgeting, people should be included in the design processes already in the inspiration (Brown 2009) or emergence (Tschimmel 2012) phase, and not left alone with their unclarified needs. Helsinki residents are experts in their own urban experiences. In order to convert these experiences into concrete proposals, we need Design Thinking methods, and educated designers to facilitate the co-creation process.

References:
Brown, Tim 2009. Change by design: how design thinking can transform organizations and inspire innovation. New York: HarperCollins Publishers.
Tschimmel, Katja 2012. Design Thinking as an effective Toolkit for Innovation. In: Proceedings of the XXIII ISPIM Conference: Action for Innovation: Innovating from Experience. Barcelona.

Practical Design Thinking – Power of Fast Prototyping

The Course in Practical Design Thinking at Laurea was definitely a wow-moment. After two days of practicing design thinking we left inspired and empowered to take a new look of our life and work challenges. It f I would to choose the most powerful powerful tool I learned during this course it would be rapid prototyping.

What Fast Prototyping really is ?

Fast prototyping is a method often used by designers in Elaboration Phase (Tschimmel, K. 2012) or in Ideation Phase (Brown, T.,  2008)

Screen Shot 2018-09-29 at 14.24.40

Tim Brown calls rapid prototyping ‚Building to Think’ (Brown, T., 2009) . According to Brown, prototypes are ‚quick and dirty’ way to generate understanding and access idea feasibility faster. Prototypes should consume only as much time and effort and investment as it is necessary to obtain the valuable feedback.

Screen Shot 2018-09-29 at 14.24.30

How to Prototype?

Both mentioned authors give examples of different technologies/solutions for rapid prototyping. From Lego, paper, to 3D digital visualisation and mobile app mockup software. Some of these technologies are especially useful when designing services. Prototyping allows to act out the end-to-end service in order to make sure that designers will be able unlock the additional insights by transitioning back and forth in between theoretical and physical models.

High-Fidelity and Low-Fidelity Prototyping

In the literature we can find an ongoing debate on high vs low fidelity prototyping. The authors argue  how much the prototype should resemble the final product (Walker et al 2002).

  • „Low-fidelity prototypes are often paper-based and do not allow user interactions.  They range from a series of hand-drawn mock-ups to printouts.  In theory, low-fidelity sketches are quicker to create. Low-fidelity prototypes are helpful in enabling early visualisation of alternative design solutions, which helps provoke innovation and improvement. An additional advantage to this approach is that when using rough sketches, users may feel more comfortable suggesting changes.
  • High-fidelity prototypes are computer-based, and usually allow realistic (mouse-keyboard) user interactions. High-fidelity prototypes take you as close as possible to a true representation of the user interface. High-fidelity prototypes are assumed to be much more effective in collecting true human performance data (e.g., time to complete a task), and in demonstrating actual products to clients, management, and others.”

Screen Shot 2018-09-29 at 14.25.07

A good balance of low cost and representation is a essential if we want to fully benefit from the power of prototyping.

10 prototyping Principles

Prototyping might seem simple, however to make it useful it’s good to know the basic rules. Alex Osterwalder his book „Value Proposition Design” (2014) gives us 10 principles of prototyping.

  1. Make it visual and tangible – moving from conceptual to physical in at the very essence of prototyping
  2. Embrace beginners Mind – don’t let existing knowledge to limit you.
  3. Don’t fall in love with the first ideas, create alternatives instead
  4. Feel comfortable in liquid state
  5. Start with lo fidelity and refine – avoid refined prototypes as they are difficult to throw away
  6. Expose work early – seek criticism. Don’t take negative feedback personally, embrace it as valuable information to improve the model.
  7. Learn faster by failing early often and cheaply. Avoid fear of fear of failure as it is holding you from exploring new territories.
  8. Use creativity techniques to break out of how things are usually done in your company
  9. Create „Shrek Models” – extreme prototypes not for building, buy igniting discussion
  10. Track learnings, insights and progress.  You might use them later in the process.

Prototyping in practice 

The course allowed us to unveil the power of prototyping ourselves by puting theory into practice. While designing a new learning experience at Laurea that would transform a school into world-renowned institution we found the fast prototyping with Lego extremely useful. Our low fidelity model represented a new Laurea education experience. We tried not to hold back to current physical structural limitations of campus and be comfortable with a liquid state of gradually refining the model. Exposing the work to our fellow students was especially revealing. It was hard not to discuss the feedback but to take it and use for model improvement.  Rapid prototyping once again proved itself to be a powerful way to transform ideas and deliver solutions.

Osterwalder, A. et all (2014) Value Proposition Design, Wiley 


Brown, T. and Kātz, B. (2009). Change by design. New York: Harper Business.


Walker, M. Takayama, L., & Landay, J. A. (2002). Low- or high-fidelity, paper or computer? Choosing attributes when testing web prototypes. Proceedings of the Human Factors and Ergonomics Society: HFES 2002, USA, 661-665.


Tschimmel, K. (2012). Design Thinking as an effective Toolkit for Innovation. In: Proceedings of the XXIII ISPIM Conference: Action for Innovation: Innovating from Experience. Barcelona. 


Brown, T. 2008. “Design Thinking.” Harvard Business Review. June, pp. 84-92


https://www.usability.gov/how-to-and-tools/methods/prototyping.html

 

 

 

 

 

 

 

Free Design Thinking Models to Help You in Your Project

by Miikka Paakkinen

Design in a business context looks to answer two questions: what problems are your customers facing, and how might we solve those problems while providing the best possible experience? Design thinking models can help you in your quest for the answers. Along the way, they might also assist you in asking better questions and finding the biggest underlying problems worth solving.

In this blog post, I will introduce three design thinking models that offer free toolkits for you to use.

Why does design thinking work?

 

 

Before going to the models though, let’s take a quick look at what design thinking can do for you.

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Can you learn to be creative?

by Kati Kaarlehto

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This question was asked from our lecturer Katja Tschimmel at the very beginning of our contact days of the Design Thinking study module. This question in my mind I chose to read  Creative Confidence – Unleashing the Creative potential With Us All by David and Tom Kelley as my very first book in my Service Innovation and Design MBA-studies at Laurea. I was soon to find out that the question of creativity is definitely one of the profound questions in the “Design Thinking Universe”.

Why and how to be creative is the core of the Kelleys’ book. We often perceive that only artists, and designers are the privileged ones to be creative. Too often parents, teachers or study counselors categorize us into the “uncreative” and blog our creativity. However, being creative is something more than just drawing or writing a poem and can be unbloged in all of us. What we really need are creatively thinking engineers, doctors and government officers who are creative in the way that they face their everyday life problems and challenges, in the way that they design new solutions and develop their services in their own work environment.

The Kelleys have a very simple solution to the question in the caption. At some point, you just make the decision to be creative. Then act according to your decision. And how is that done? Design Thinking methodology and tools are designed and develop to assist in that.

You should ask questions, especially Why-questions. You should leave your desk and office to observe your customers or end-users and thus learn true customer empathy. You should get surrounded with same-minded creatively thinking people and to keep up with all the possible trends and phenomena around you – a not just related to your own field of business but beyond.

In her article Design Thinking as an effective Toolkit for Innovation Katja Tschimmel also concludes that Design Thinking is not merely the designer’s mental ability, but can be developed and trained by anybody who wants to solve problems in a creative way, who wants to conceive new realities and who wants to communicate new ideas.

The Kelleys emphasis open mindedness and liberation from your preconceived ideas and assumptions. They quote Mark Twain who once said “It’s not what you don’t know that gets you into trouble, it’s what you know for sure that ain’t so”.

I recognized that too well during the work shop sessions led by Katja and where the Design Thinking tools of the Mindshake Design Thinking Model were applied. Our task was to perceive the Laurea world through an International student´s eyes with some chosen Design Thinking tools. As I have worked with international university students, way too often in the group I captured myself thinking or even saying “this would not work or this has already been tried out or this Laurea would not support”.

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If I felt a slight shame about my narrow-minded, not-so-creative thoughts during our work shop, I also felt that something truly different could take place in this class with these tools, some familiar and some new to me, and with these mates representing so different professional backgrounds and experiences.

While reading “Creative Confidence” I also felt splashes of joy and confidence – by applying and starting these studies I have definitely taken right steps to unleash my creative potential. I have definitely made the decision: I am creative (always been!) and want to shake my ways of thinking and perceiving this world and my work – with the help of Design Thinking tools but also of all my lecturers and wonderful class mates.

Let the journey begin!